About — Marine Delorme

Marine Delorme

I’m Marine Delorme, a Brand Consultant & Strategist.

My perspective has been shaped by a career spanning film, technology, business development, creative partnerships, production, and entrepreneurship. I work closely with founders whose businesses have substance, ambition, and a strong point of view, but need greater clarity around how their value should be organized, articulated, and brought to market.

Born and raised in Réunion Island, I studied Applied Foreign Languages at the Sorbonne University in Paris and Universitat Autònoma de Barcelona before moving to Los Angeles in 2011. I later graduated from the USC School of Cinematic Arts with a degree in Film and Television Production.

My production credits include Student Academy Award Winner Lalo’s House (2018, Associate Producer), Bite The Bullet (2017, Producer), and Endless Yesterdays (2021, Producer). In 2026, I joined forces with writer-director James Tate Wilson from Rio Bravo Productions as an independent producer.

This foundation in storytelling influences how I approach my branding work today. It informs my process of finding the central idea, clarifying the narrative, and creating a coherent experience around it, while being equally interested in what makes that story commercially viable.

After graduating from USC, I joined Artie, an artificial intelligence startup that was working at the intersection of technology and entertainment. As Development Manager, I created concepts, proposals, and pitch decks that supported conversations with major entertainment companies, including Netflix, Warner Bros., Paramount, Marvel, and Sesame Street. My work contributed to research, development, and commercial partnerships, including an AI educational game with Sesame Street and interactive entertainment projects with Paramount and Marvel, for SpongeBob and Deadpool respectively.

I later became Head of Creative Partnerships, working with internal product teams, external artists, studios, and creative partners. The role required both high-level thinking and hands-on execution: translating ideas across disciplines, managing relationships, and shaping opportunities.

As my role evolved into Community and Events, I produced events across Los Angeles, New York, and London, from intimate gatherings to concerts, brand activations, and exhibitions, including a pop-up shop and gallery exhibition on Fairfax Avenue in Los Angeles. I created The Ladies of the Artieverse as an initiative designed to bring women working in Web3 and NFTs together.

In 2023, I began working independently with mission-driven creatives and small-business founders on their brands. What began with identity and design quickly expanded into deeper strategic work: helping clients clarify their positioning, structure their offers, articulate their value, strengthen their marketing, and create more coherent businesses.

As a founder myself, I understand that a business is rarely as simple on the inside as it needs to appear from the outside. There are ideas, services, ambitions, capabilities, and possibilities competing for attention. My role is to help determine what matters most, what is commercially viable, and how the pieces should work together.

I bring strategic thinking, creative judgment, cross-industry experience, and an ability to move between the larger vision and the details required to execute it. I also use my background in technology and artificial intelligence to develop practical systems and custom tools that help clients work more clearly and efficiently.

I do not believe founders need more ideas. They need stronger decisions, clearer language, and a business structure that allows the quality of their work to be recognized.

That is the work I do: turning complexity into clarity and helping mission-driven businesses become easier to understand, trust, and choose.